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Valoryn
Player ID: 246890
~Register to the game as an adept of this player~
Regeneration : 1848
Energetic immunity : 2571
Trade sense : 1450
Briskness : 1815
Initiative : 1157
Defence : 6885
Attack : 8808
Power : 714
Luck : 534
Finesse : 91
Herbalism : 64
Woodcutting : 106
Volition : 2023
Filtering : 58
Cartography : 82
Waterhandling : 57
*taming : 57
Experimentalism : 75
Mining : 57
Sun God Armour
Medusa Ceremonial Armour
Principle of Imagination = 4000
Principle of Light = 4000
Element Principle = 4000
Principle of Balance = 4000
Principle of Cyclicity = 4000
Guards the shared tools available in 1_-2x4_3. Makes sure nobody abuses them or sabotages their use.
Loading human character...
Battle stats
Won: 5353 | Lost: 5353
Honor: 7735
MindPower: 5

Guardians of the Root
(Loreroot)
The oneness of your housing is at 2 %

  • The Tag Dispatcher in Loreroot to be moved from Wasp's Totem to the Hollow Den, or another more suitable scene in Loreroot. The Totem is more related to water than wood and the dispatcher's structure still obstructs a big part of the lake as well.
    Optionally, turn the reed patch where the dispatcher currently stands on into an MDScript clickable.
  • My Acousticremains spell to become regenerable with 4 casts, so that I can always record lost tales.
  • Notched Iron Longsword: An ordinary longsword that has seen better days. In the right hands though, it can still deal significant damage.
  • Battered Round Buckler: An old wooden buckler that has been extensively used to deflect blows and disorient opponents that have come face to face with it.
  • Old Boot Knife: A simple knife that can be concealed in one's boot. It can be used to peel off or chop ingredients for cooking, but it can also save its owner from a tight situation.
  • A regenerable Rain related spell to ensure that the lake of Loreroot never runs dry.
Who am I?

I'm a weird "old" man
doing weird "old" things.
The rest is either history
or fiction.

But what does being weird mean?
And what does being "old" mean?
And why is "old" quoted?

Keep asking questions,
it's good for the mind.
You may not always get an answer,
but you might get some insight.

Just like the journey
is more important than the destination,
the right questions can take you a lot further
than the right answers.

The rest is like a never-ending journey,
an infinite work in progress...
 
The Ballad of the Wayfarer

The wayfarer is alone in the world and incessantly wanders into its most hidden and remote corners, the deserted coasts, the hills and the forests, the narrow paths of the city, the neighbourhoods, his only destination being for him to be lost one morning or during a rainy night. Without the mother's blessing, the wayfarer will vanish.

I see a crowd of people flowing by
But not a single soul gives me a smile
Children lie ill in their beds
And branches lie dead on the trees.

I threw my love away into the deep
And spread out my fear to sleep
I find graves and a world
That suffers no detriment.
Wherever I go a new mistake
Becomes my torment.

Which prophet will now be heard
Like a voice inside a closed cistern?
In a world empty and orphaned
Like a howl echoing from the heaven?

I abandoned the birds into the wild
And I depleted the light in the neighbourhoods
I abhor and dread
The return.
See who I am, being well on my way
To my own ruin.

(The Wayfarer, the Drunken Girl and Alcibiades
M. Hadjidakis - M. Eleftheriou)
 
Dance with my own Shadow
 
Valoryn puts his journal and quill aside and rises from his resting place underneath his tree
Valoryn approaches the lake and stands at the edge of the water, his gaze fixed straight ahead
Valoryn removes his hood for the first time since he arrived to this world
Valoryn thus reveals his worn and pale face and his reddened eyes, due to lack of sleep
Valoryn lifts his left hand to look at the ring on his finger
Valoryn removes the ring and holds it on his right palm
Valoryn: My lady… forgive me… *His voice sounds weak, full of despair*
Valoryn clasps the ring into his fist and looks up to the sky
Valoryn: Forget me for all eternity and cast all hope away/
Valoryn: And say you didn’t encounter me nor did I come your way.
Valoryn throws the ring into the water as far away as he can
Valoryn stands and stares at the sky for a few good moments
Valoryn takes off his robe, revealing his full set of leather armour and the sword at his side
Valoryn bends and releases the strap on his left calf that keeps his sword concealed under his robe
Valoryn takes off his boots as a captivating music that only he can hear begins to play
Valoryn ‘s hands move back and forth like waves at the sides of his legs
Valoryn keeps following the tempo of the music while releasing the straps of his leggings
Valoryn ‘s leggings fall on the ground on top of his robe and boots
Valoryn begins to move his arms and upper body, as if he were a tree swaying in a gentle breeze
Valoryn slowly moves around in a wide circle, performing a slow chain, as the music becomes louder
Valoryn draws his sword and swings it, as if fighting against an invisible target, while rotating
Valoryn makes a few split jumps and pirouettes in the air and swings his sword harder
Valoryn drops on one knee and stabs the ground with his sword
Valoryn removes the belt bearing his sword-sheath, while still kneeling
Valoryn stands again and dances with light-footed steps within his original circle
Valoryn releases the straps on his shoulders, while dancing this way
Valoryn throws his pauldrons on the ground and begins another chain
Valoryn keeps rotating around more and more passionately
Valoryn ‘s hands release the straps of his collar and soon it falls off his shoulders
Valoryn continues the chain around the same circle, his hands releasing the straps of his cuirass
Valoryn begins a series of pirouettes, during which his cuirass falls off his chest
Valoryn spins around himself, his hands slowly lifting his chain mail tunic upwards
Valoryn throws his chain mail tunic away, while spinning, then takes off his shirt
Valoryn throws his shirt away as well, soon after he begins the third chain on the same circle
Valoryn momentarily pauses in front of his tree and looks at the wreath he had once made
Valoryn takes the now withered wreath and puts it on his head like a crown
Valoryn begins to hop around, still following the tempo of the music faithfully
Valoryn makes a few pirouettes a la seconde, as the music reaches its peak
Valoryn changes to another chain, spinning around himself, totally overwhelmed by the music
Valoryn ‘s feet reach the water, as the music seems to reach its end
Valoryn splashes on the water briefly, seemingly enjoying the feeling
Valoryn suddenly stops and looks in front of him at the direction of the lake
Valoryn extends his arms and leans slowly forward
Valoryn falls into the water face down, as soon as the last note of the music is played
Valoryn lies floating on the water surface face down, unable or, perhaps, unwilling to react
Valoryn is slowly drowning, surrendering himself to the embrace of his shadow
 
The Dance of Vartan

Play, count your pulses
I attempt to endure
I try to save myself
And I inebriate myself to your rhythm

Play and the time has come
The force of death
Is piercing my body
It's casting me into the rain shower

There is little hope left
I brood, to the dance I plummet

Cut the magic flower
For the enemies to be befuddled
For me to escape the earth
Like a bird, like a song

Play, find my music
So that I forget that I live
In a tough world
That's like a prison to me

Find my voice again
That keeps quiet out of fear
Doesn't dare, doesn't ring
And isn't my own

All hope is now leaving
I brood, to the dance I plummet

Play the magic song
For the enemies to be befuddled
For me to escape the earth
Like a bird, like a flower

(America America
M. Hadjidakis - A. Davarakis)
 
The Journey

I run, fly, chase after birds and dreams,
And every day I swim in deeper waters
I wish to embrace the world with a warm kiss,
and from my twilight to reach the dawn.

But the journey is like a snake
It's bile along with vinegar,
On a large thorny cross
But I don't step back
Nor will I abandon my way,
Until I find a safe harbour.

I wish to embrace the world with a warm kiss,
and from my twilight to reach the dawn.

I run, fly, greet the craziest children
And every rock I step on opens up like a heart
Show me a way to walk through under sun, under rain,
I wish to embrace the world anew once again.

But the journey is like a snake
It's bile along with vinegar,
On a large thorny cross
But I don't step back
Nor will I abandon my way,
Until I find a safe harbour.

Show me a way to walk through under sun, under rain,
I wish to read the world anew once again.

(M. Hadjidakis - N. Gkatsos)
 
A Lament on Vigour
 
*makes his way to the middle of the hall wearing only his tights that reach right under his knees*
*stands still with his back turned to the audience, his bare feet right next to each other, his arms close to his chest to make them nearly invisible*
*sharply extends his right arm to the side, his hand loosely pointing at the wall to his right, and stays still for a fraction of a second*
*performs a quick kick with his left leg, effectively bringing his knee at the height of his shoulders, shifts his upper body a little to the right to keep his balance and stays still again*
*turns his left leg sideways and bends his left knee while extending his left arm upwards, all with quick sharp moves; stays still for nearly a second*
*rotates his body clockwise a little in a smooth way, exposing his right side to the audience, while standing on his right foot*
*bends his upper body forward, extends both arms to the same direction and kicks his left leg backwards, all during the rotation, so that said leg, upper body and arms are aligned*
*bends his upped body further until it touches his right leg and his hands land on the floor to the left and right of his right foot respectively*
*lifts his left leg until both legs are aligned and shifts his weight from his supporting right leg to his arms*
*bends his right knee and then extends his right leg again upwards to complete the handstand, his body now aligned again*
*slowly bends his arms to bring his body closer to the floor while keeping his whole body aligned, until the top of his head touches the floor*
*keeps bringing his body closer to the floor while arching his back a little in the process, so that the back of his head and his shoulders are in full contact with the floor*
*brings his right foot to the height of his left knee, with the right knee pointing forward in relation to the orientation of his body*
*continues to lower his body towards the floor until he ends up in a lying position, which he changes into a sitting one and then a standing one fairly quickly*
*performs two full rotations around himself and along a circular path and then jumps as high as he can*
*bends both knees sideways as soon as his feet abandon the floor and performs a pirouette in mid air before stretching his legs again and landing safely on his feet*
*performs a single full rotation more along the same circular path and jumps high once again*
*brings his right foot in front and under his left knee and withdraws his arms close to his chest, as if embracing himself, as soon as his feet abandon the floor*
*performs two pirouettes in mid air while maintaining his posture before landing back on his feet*
*takes a few quick steps along the same circular path, effectively completing three quarters of a circle in total, then takes a few equally quick steps in a straight line and jumps again*
*bends his whole body backwards as much as he can as soon as he abandons the floor until his heels nearly touch the top of his head, making his body form a full circle*
*stretches both arms to the back in relation to his shoulders and stays in that position until gravity takes over again*
*unlocks his body from that posture as soon as it begins its way down and he lands on a crouching position; stays still in this posture for a couple of seconds*
*slowly lies down and turns his body so that his chest and face are visible to the audience and curls himself up, wrapping his arms around his legs; stays still for a second or two*
*turns his body again until his back lies on the floor and extends his legs along the floor without stretching them fully*
*slowly slides his hands that landed on his stomach towards the top of his chest and arches his back at the same time letting his head be the only part of his upper body that touches the floor*
*slides his hands towards his face and the top of his head, while wrinkling his face and opening his mouth wide as if trying to scream*
*turns to the side, showing his back to the audience, and curls himself up with quick and sharp moves; stays still again for a second*
*shifts to a sitting position with the help of his right arm, his back still visible to the audience, and brings his knees close to his chest*
*wraps his arms around his knees and slowly drops his head in his arms, rendering every body part except his back nearly invisible*
Some of my creatures
Winged Guardian Water Watcher Winged Guardian Forest Predator Winged Guardian Aerial Watcher Elrond Court Jester Forest Sharpshooter Forest Trapper Aerial Guardian

Of all emotions...
Anger and hate are two things that are completely estranged to me. I may have known both anger and hate in my past life, but I no longer trust either emotion and I don't let either of them take control of me.

Hence why I hate nobody.

There is one thing that I do hate, however. And that's when people try to manipulate me for their own selfish purposes or to poison my mind with their own anger and hate for others. I don't take it kindly, regardless of my stance in the heat of the moment, and said people end up tasting their own medicine sooner or later.

I prefer to give my foe the respect he deserves, like I would if he were a friend instead. I prefer to carry the weakness of decency, honour and humility than the strength of self-righteousness, arrogance and greed.

You can hate me for that, but I'm a human who came here with all the prejudice he earned in his past life, not a newborn of this world nor a pile of clay to shape me as you like.
 

The Road I Follow

I'm no true fighter to speak about my military ways. I have chosen to follow the path of the wayfarer instead, always clad in black robes, my only company a walking stick, a flask of water and my journal. One might think that a walking stick can be a good weapon when the need rises and there is no way to resolve things in a peaceful manner. But that isn't the purpose of my own walking stick. It's merely my travelling companion when there is nobody else to travel with, which is the case most often, but it has its own special power: it can keep me upright and let me continue my journey when my strength falters and my limbs can't hold me up any more.

In truth, I do carry a sword with me as well for those rare cases when fighting is an absolute necessity to ensure survival. A simple iron longsword it is that can be used either as an one-handed or two-handed weapon, which used to be perfectly concealed under my robes to avoid drawing attention upon myself. Now, however, my sword stands at my side with its sheath exposed, although my stance about my skill in fighting and my self-perception as a non-fighter hasn't changed at all.

I have written several times already that I'm not a fighter. But one shouldn't be fooled by that. In the world where I came from, I spent some time training in sword fighting and I can use my longsword efficiently as an one-handed weapon with or without a shield, sometimes even as a two-handed one as well. It only depends on the circumstance and how skilled my opponent is. The key, however, is to hit hard at every opportunity and, if that fails, to cripple and disarm my opponent before delivering the final blow.

I also have a round wooden shield, slightly bigger than a buckler, but I have never used it in this realm. It stays under the shade of my tree near Wasp's Totem along with the rest of my belongings. I may use it, however, when it matters. I have encountered quite a few people in my past life who believe that the only purpose of a shield is to block blows coming from an opponent. This is in fact true only when it comes to arrows. Where a shield truly shines is in the hands of a warrior who can use it as an offensive weapon rather than a wall for him to hide behind. Quite efficient in deflecting blows or even bashing an opponent, it can be used to make openings to an opponent's weak spots and to devastating counter attacks.

Then we come to my armour. A simple chain mail tunic and a full leather armour set is all I have. Nothing special about it either, except for the fact that I always wear it underneath my robes. In truth, it doesn't offer that much of a protection, but being as light as it is, it lets me move and manoeuvre freely. Now one might wonder that I'm well armed and armoured, perhaps too much, for someone who claims he isn't a fighter. Well no, I'm not a fighter and it would be a big mistake to take me for one.

Yes, I do insist on this matter, because my sword isn't my only weapon. In truth, I consider my quill an even mightier weapon, as the old saying goes. Words are the means to solve matters and only when they fail, swords should come into play. And it's hard for them to fail if one knows how to use them right. However, I'm not a diplomat. Although I may not be that straightforward either, the use of the right words at the right time can save me from a lot of trouble. However, in a heated moment, words might be more harmful than even swords and the damage they deal harder to remedy. I'm a flawed man and I have made that mistake a few times, but never intentionally. I regretted every single one of them, but sometimes regret isn't enough.

There are those times, however, when words do fail, but swords remain unnecessary. In such cases, I tend to use my third weapon, which isn't literally a weapon, it can't be used to save me from a tough situation, it isn't meant to be used offensively either, but it's a good means to express myself when there are no proper words to help me do so. I'm talking about my art, the one I have committed most of my past life to: dance. And although I have spent many years working on it, I still can't find the proper words to explain that feeling of relief, relaxation and freedom I feel while improvising or working on a specific choreography alike. It's a painful art, almost as painful as sword fighting, but that feeling of flowing smoothly and gracefully from one position to the next, that feeling of overcoming even gravity itself at times, it's the greatest compensation for all the backaches, knee-aches and all other sorts of aches I have suffered throughout my life as a dancer.

I also own a war horse, which I found at Fenths Press. It was a gift from Windy, the proprietor of the Wind & Rain Pub at Sanctuary's View. It's a white stallion about 21 hands tall with a grey fore-lock, mane and tail. He may not be fast, but he has strength and endurance. He may not be the horse that saved me from certain drowning either, I may also prefer to walk instead of riding, but I'm not one to turn such a generous gift down. So, I chose to call him Turcanna, which means "Powerful Gift" in one of those few languages I used to speak from time to time in the world where I came from.

In a small pouch, I carry an equally small acorn cap, a gift that my tree dropped on my head, after we managed to resolve an old argument between us. It used to have a corn, but I decided to plant it near my tree so that the seed doesn't get wasted. I know from a long time ago that acorn caps can be used as whistles. Perhaps, I could teach Turcanna to listen to it, so that he can easily find his way to me, each time I let him loose to do as he pleases.

Writing about my military ways was something simple and more or less straightforward. Explaining my beliefs with words, on the other hand, is a different matter entirely, will require a lot of effort from my part and it will be doubtful whether the potential reader of this document will understand anything at all. Words may be one of my weapons, but they aren't always the strongest I have. I will give it a try though.

So, what do I believe in? Being a resident of the forest of Loreroot, I'm expected to believe in Nature and its four Elements. Truth is that I don't. I do respect the Earth I walk on. I do respect the Water I'm made of. I do respect the Air that gives me life. I do respect the Fire that gives me warmth. I do respect Nature itself for all its gifts and all its blessings and I cherish each and every one of them. However, these aren't my gods.

Since my very early childhood, I learnt to honour my ancestors and to respect and learn from my past, with its dark days and its bright moments, with all its shades of grey. So my faith mainly lies in them, my ancestors and my own past, both of which made me who I am today. My faith also lies in these hands of mine, since without them I would be unable to do anything at all. My faith lies in my mind, since without it I would have neither the ability to use my hands nor the knowledge to perceive and understand the world around me. My faith lies in my heart, since without it inspiring my mind, there would be nothing for me to strive for, however small, however simple. My faith also lies in the people around me, those I call family and those I call friends, the people I left behind from my homeland of old, my fellow citizens of Loreroot, my brothers and sisters in the Guardians, since without them I would be empty, barren, hollow, lifeless, nothing. These are my own gods.

However, beliefs aren't limited only to matters of faith. They also involve matters of principle. If creativity and inspiration were principles, they would be the most important to me. In truth, I find it hard to separate them from each other, since they both feed and influence each other. They allow me to set goals, they give me incentive to work on them, to improve myself and become better, so that I can get closer and closer to said goals. They are in truth the motivating force that makes me want to create things with my hands, use my mind to solve problems or just to dance. I see them as part of the principle of Imagination, even if it contains a lot more than creativity and inspiration. It is, however, the motivating force that can put things in motion, for better or worse.

Balance comes next. It may appear second in this document, but it's equally important as Imagination to me, if not more important. In its simplest form, it involves both physical and mental health, in other words it means to be in a physical and mental condition not just to create things, but also to co-exist with others, interact with them and work together with them to do something one person alone can't do by oneself. Like with Imagination, there is more to Balance than that. For a dancer, it's also attached to his ability to perform every technique he knows with precision and to always land safely and gracefully on his feet. Sometimes, a dancer may also strive to avoid Balance. One may wonder why and how that can be done. Jumps are the short answer; the dancer's desire to have his own strength overcome gravity itself while dancing is the longer version of the same answer. However, gravity always wins and a dancer is destined to return back to a balanced position, whether he manages to land on his feet or fall flat on his back or his face.

One important aspect of Balance, or lack thereof, is that it involves a series of forces that are applied upon everybody and everything. So, nobody and nothing can be considered balanced, without taking the whole system that somebody or something exists in into consideration or without seeing everybody and everything as a system on their own. In other words, Balance is the result of several forces pushing and pulling everybody and everything around, just like the dancer's own strength against gravity that I mentioned before. One can't see the dancer without considering these forces as well. As one of my tutors used to say: "Balance is key to everything, but it's nothing you can achieve on your own. It requires at least two, even if those two are just yourself and the floor. Therefore, you must build a strong relationship with the floor, make it your best and most trusted friend. Its judgement may be harsh and frequent, but only if you heed it, you will begin to master your own self."

Outside of these two very important principles, I value every moment of calmness and relaxation I can find, whether it will be in seclusion, under my tree, near the lake or anywhere else, or within the company of friends. Simple things that can clear my mind and rest my body, things that can rekindle creativity and inspiration inside me and make me keep working on improving myself, not only in terms of skills and knowledge, but also and most importantly in terms of character traits, strengths and weaknesses alike.

To conclude this rather lengthy document, if it ever falls into the hands of another person, there are a few things they should know. I have mentioned before that an important part of my faith lies in the people I call family and friends. My faith isn't blind however. I will gladly worship my protector until my back breaks and my knees bleed, as long as my protector works for the well-being of my homeland and this world as an extension. I will only become an adept to somebody though, if that somebody can prove to me he is a worthy mentor. I don't give my adept-hood away to promote somebody into a protector blindly or merely because I'm in good terms with them. For the same reason, I'm not going to follow people around blindly, so whoever wants me to become a follower should simply not ask about it. I won't give it away just like that. The only person that can understand and represent my needs and interests better is none other than myself, however selfish that may seem at first glance. And in my humble opinion, the same should apply to everybody else. Nobody can represent them better than themselves. And last, but certainly not least, I'm not a leader nor do I intend to become one, so I shouldn't be followed either.
 
"Don't walk behind me; I may not lead.
Don't walk in front of me; I may not follow.
Just walk beside me and be my friend."


Page 189 - The Shade Ballance - Kh. Sh.
"Oh you great one! ..thank you for teaching me this amazing magic!". Khalhazdad stares amazed at the dark fog rizing from necrovions gates. With a shy step he passes throu the fog and exits on the other side of the world. "That could be a very good thing...or a bad one..depends." ...
This story involves real player characters and updates every few hours.
Read the rest of the story in the game...you could become part of it


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